In memoriam
Maria Aurora Couto 1937-2022
THE passing away of Maria Aurora Couto marks the end of an era in
Goa and, in a small but significant way, the end of an era in India as well. In
the world she inhabited she had a distinct location, belonging both to an age
and an aspiration, a community and a political ideology. What were these two
eras? Rather than describe them in the abstract I think I can elaborate by
referring to a pair of distinguished personalities. The two who came closest to
what I have in mind, who in a manner of speaking embody my idea of what Aurora
represents, are the pair of Frank Moraes and Sham Lal. Both were persons of
Ideas. Both took public positions on issues of the day. Both imagined a future
India that they campaigned and stood for. Both drew on different cultural
resources, which had large areas of overlap, to make their statement. Frank
Moraes was a Bombay Goan (both Bombay and Goan), Sham Lal the Bombay Punjabi.
In similar vein
Aurora also combined the cosmopolitan with the parochial. The different
sensibilities coalesced in her person and gave her public life a specific
vitality. There was a creative tension, as there definitely had to be, between
the different worlds from which she came, the elite Catholic from Loutolim, the
IAS officerÕs wife, the English teacher, the Portuguese and Konkani speaking public
person, the charming hostess from the Hampstead salon. She fused them in a
distinct way, giving them her unique personality which moved between Maria and
Aurora. She was Maria to those outside Goa and Aurora to those within.
Travelling with
her through her biography one meets the young wife of a young Goan IAS officer
in Bihar having to hold her own against a bureaucratic elite that carried with
them family histories of bureaucracy. Over the years she charmed them enough to
be allowed into their world. She was the lady of letters who hosted many
writers and intellectuals in her home in London. There were occasions when it
was not breakfast at TiffanyÕs but breakfast with Graham Greene. She was the
public intellectual in Goa who sat on the Goa University Executive Board, who
editors sought out for comment on important controversies, who counted among
her friends writers and authors from across the spectrum, and who was invited
to start the DD Kosambi Festival of Ideas in Goa. Aurora lived across many and
varied cultural spaces and different historical moments. She was witness to the
transition of Goa from Colonial province to the liberated territory of a free
India. In her passing we have lost a chronicler who had an intimate view of
that transition.
Glimpses of her
seamless movement between these different identities one gets in her two
biographical books, Goa: A DaughterÕs Story, and FilomenaÕs
Journeys (spelt with an F and not a Ph). Hers was a deliberate syncretism
that defined both her politics and her age. If the first was the biography of a
land that carries the scars of an unresolved history, which seeks in the
present a peaceful reconciliation, not easily given by a competitive politics
of othering, a forgiveness which Aurora worked tirelessly for, the second is
the biography of a family that, although it is a unique elite Goan family is
not unusual, spends its social life trying to resolve its own imperfections. In
these two stories is the story of an era. Portuguese colonialism did leave
residues in Goa, not all of
which were good and not all of which were bad. Contemporary Goa, and
contemporary India, has to come to terms with these residues. Few individuals
in the present attempt to do so. Few can. They cannot because either they do
not possess the intellectual resources to give the residues a form, i.e. name
the existential dilemma, identify its causes, or possess the cultural resources
to give them a place. Aurora could. Maria did.
Having grown up
in Goa and having spent her young adult years in Dharwad she knew closely the
world of the elite Goan Catholic and equally closely the world of the
cosmopolitan Indian elite. She was lifelong friends with the playwright Girish
Karnad and the writer Shashi Deshpande. She spoke Portuguese effortlessly, wore
a Benarasi sari with elegance, and I suspect listened to both Pandit Ravi
Shankar and Wolfgang Amadeus Mozart on her verandah. Her fluency in Konkani
allowed her into cultural spaces that gave her an enviable perspective on a
changing Goa. She chose to spend her last decades in her husbandÕs marital
home, in Aldona, a sort of return of the native, in a manner of speaking,
although she was a native who was at home with the world. This is what makes
her life so distinct. Her world, that of the Goan Catholic elite, has today
passed into history, never to be replicated. It was the product of a particular
global conjuncture of world history. She was perhaps one of its most
illustrious children. Should one lament its passing? Should one just shrug? I
do not know. But I do know that in her passing an era indeed has ended.
Peter Ronald deSouza
D.D. Kosambi Visiting Professor
Goa University